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Презентация на тему: Claude Monet


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Презентация на тему: Claude Monet


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№ слайда 1 Claude Monet Suharskaya Olya 10-B
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Claude Monet Suharskaya Olya 10-B

№ слайда 2 Oscar-Claude Monet ( 14 November 1840 – 5 December 1926) was
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Oscar-Claude Monet ( 14 November 1840 – 5 December 1926) was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant(Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.

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№ слайда 4 The first Impressionist exhibition was held in 1874 at 35 boulevard des Capucine
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The first Impressionist exhibition was held in 1874 at 35 boulevard des Capucines, Paris, from 15 April to 15 May. The primary purpose of the participants was not so much to promote a new style, but to free themselves from the constraints of the Salon de Paris. The exhibition, open to anyone prepared to pay 60 francs, gave artists the opportunity to show their work without the interference of a jury.In addition to Impression: Sunrise (pictured above) Monet presented four oil paintings and seven pastels. Among the paintings he displayed was The Luncheon (1868), which features Camille Doncieux and Jean Monet, and which had been rejected by the Paris Salon of 1870. Also in this exhibition was a painting titled Boulevard des Capucines, a painting of the boulevard done from the photographer Nadar's apartment at no. 35. Monet painted the subject twice and it is uncertain which of the two pictures, that now in the Pushkin Museum in Moscow, or that in the Nelson-Atkins Museum of Art in Kansas City was the painting that appeared in the groundbreaking 1874 exhibition, though more recently the Moscow picture has been favoured. The first Impressionist exhibition was held in 1874 at 35 boulevard des Capucines, Paris, from 15 April to 15 May. The primary purpose of the participants was not so much to promote a new style, but to free themselves from the constraints of the Salon de Paris. The exhibition, open to anyone prepared to pay 60 francs, gave artists the opportunity to show their work without the interference of a jury.In addition to Impression: Sunrise (pictured above) Monet presented four oil paintings and seven pastels. Among the paintings he displayed was The Luncheon (1868), which features Camille Doncieux and Jean Monet, and which had been rejected by the Paris Salon of 1870. Also in this exhibition was a painting titled Boulevard des Capucines, a painting of the boulevard done from the photographer Nadar's apartment at no. 35. Monet painted the subject twice and it is uncertain which of the two pictures, that now in the Pushkin Museum in Moscow, or that in the Nelson-Atkins Museum of Art in Kansas City was the painting that appeared in the groundbreaking 1874 exhibition, though more recently the Moscow picture has been favoured.

№ слайда 5 Paintings 1858-1870
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Paintings 1858-1870

№ слайда 6 View at Rouelles, Le Havre 1858, 
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View at Rouelles, Le Havre 1858, 

№ слайда 7 Mouth of the Seine at Honfleur, 1865,
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Mouth of the Seine at Honfleur, 1865,

№ слайда 8 Women in a Garden, 1866–1867,
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Women in a Garden, 1866–1867,

№ слайда 9 Woman in a Garden, 1867,
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Woman in a Garden, 1867,

№ слайда 10 Jardin à Sainte-Adresse, 1867,
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Jardin à Sainte-Adresse, 1867,

№ слайда 11 The Luncheon, 1868
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The Luncheon, 1868

№ слайда 12 La Grenouillére 1869
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La Grenouillére 1869

№ слайда 13 The Magpie
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The Magpie

№ слайда 14 Le port de Trouville (Breakwater at Trouville, Low Tide)
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Le port de Trouville (Breakwater at Trouville, Low Tide)

№ слайда 15 La plage de Trouville, 1870
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La plage de Trouville, 1870

№ слайда 16 Death of Camille In 1876, Camille Monet became ill with tuberculosis. Camil
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Death of Camille In 1876, Camille Monet became ill with tuberculosis. Camille Monet was diagnosed with uterine cancer, and she died on 5 September 1879 at the age of thirty-two. Monet made a study in oils of his dead wife. Many years later, Monet confessed to his friend Georges Clemenceau that his need to analyse colours was both the joy and torment of his life. He explained, "I one day found myself looking at my beloved wife's dead face and just systematically noting the colours according to an automatic reflex!"

№ слайда 17 John Berger describes the work as "a blizzard of white, grey, purplish pain
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John Berger describes the work as "a blizzard of white, grey, purplish paint ... a terrible blizzard of loss which will forever efface her features. In fact there can be very few death-bed paintings which have been so intensely felt or subjectively expressive."

№ слайда 18 Vétheuile After several difficult months following the death of Camille, Monet b
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Vétheuile After several difficult months following the death of Camille, Monet began to create some of his best paintings of the 19th century. During the early 1880s, Monet painted several groups of landscapes and seascapes in what he considered to be campaigns to document the French countryside. These began to evolve into series of pictures in which he documented the same scene many times in order to capture the changing of light and the passing of the seasons.

№ слайда 19 Paintings 1872-1879 Jean Monet on his hobby horse,1872
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Paintings 1872-1879 Jean Monet on his hobby horse,1872

№ слайда 20 Camille Monet on a Garden Bench,1873
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Camille Monet on a Garden Bench,1873

№ слайда 21 The Artist's house at Argenteuil, 1873
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The Artist's house at Argenteuil, 1873

№ слайда 22 Coquelicots, La promenade (Poppies), 1873
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Coquelicots, La promenade (Poppies), 1873

№ слайда 23 Argenteuil, 1874
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Argenteuil, 1874

№ слайда 24 The Studio Boat, 1874
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The Studio Boat, 1874

№ слайда 25 Flowers on the riverbank at Argenteuil, 1877
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Flowers on the riverbank at Argenteuil, 1877

№ слайда 26 Vétheuil in the Fog, 1879
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Vétheuil in the Fog, 1879

№ слайда 27 Giverny At the beginning of May 1883, Monet and his large family rented a house
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Giverny At the beginning of May 1883, Monet and his large family rented a house and 2 acres (8,100 m2) from a local landowner. Monet wrote daily instructions to his gardener, precise designs and layouts for plantings, and invoices for his floral purchases and his collection of botany books. As Monet's wealth grew, his garden evolved. He remained its architect, even after he hired seven gardeners.

№ слайда 28 Monet purchased additional land with a water meadow. In 1893 he began a vast lan
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Monet purchased additional land with a water meadow. In 1893 he began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. White water lilies local to France were planted along with imported cultivars from South America and Egypt, resulting in a range of colours including yellow, blue and white lilies that turned pink with age. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later on the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life. This scenery, with its alternating light and mirror-like reflections, became an integral part of his work. By the mid-1910s Monet had achieved: Monet purchased additional land with a water meadow. In 1893 he began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. White water lilies local to France were planted along with imported cultivars from South America and Egypt, resulting in a range of colours including yellow, blue and white lilies that turned pink with age. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later on the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life. This scenery, with its alternating light and mirror-like reflections, became an integral part of his work. By the mid-1910s Monet had achieved: "a completely new, fluid, and somewhat audacious style of painting in which the water-lily pond became the point of departure for an almost abstract art." (Gary Tinterow)

№ слайда 29 Monet's garden
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Monet's garden

№ слайда 30 In the Garden, 1895
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In the Garden, 1895

№ слайда 31 Agapanthus, between 1914-1926
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Agapanthus, between 1914-1926

№ слайда 32 The rose arches, Giverny, 1913
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The rose arches, Giverny, 1913

№ слайда 33 Water Lilies and the Japanese bridge
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Water Lilies and the Japanese bridge

№ слайда 34 Water Lilies, 1906
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Water Lilies, 1906

№ слайда 35 Water Lilies
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Water Lilies

№ слайда 36 Water Lilies
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Water Lilies

№ слайда 37 Water Lilies
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Water Lilies

№ слайда 38 Death Monet died of lung cancer on 5 December 1926 at the age of 86 and is burie
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Death Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus only about fifty people attended the ceremony. His home, garden, and waterlily pond were bequeathed by his son Michel, his only heir, to the French Academy of Fine Arts (part of the Institut de France) in 1966. Through the Fondation Claude Monet, the house and gardens were opened for visits in 1980, following restoration. In addition to souvenirs of Monet and other objects of his life, the house contains his collection of Japanese woodcut prints. The house and garden, along with the Museum of Impressionism Giverny, are major attractions in Giverny, which hosts tourists from all over the world.

№ слайда 39 Monet's late paintings Water Lilies and Reflections of a Willow 
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Monet's late paintings Water Lilies and Reflections of a Willow 

№ слайда 40 Water-Lily Pond and Weeping Willow
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Water-Lily Pond and Weeping Willow

№ слайда 41 Weeping Willow, 1918–1919
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Weeping Willow, 1918–1919

№ слайда 42 Weeping Willow, 1918–1919
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Weeping Willow, 1918–1919

№ слайда 43 House Among the Roses
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House Among the Roses

№ слайда 44 The Rose Walk, Giverny
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The Rose Walk, Giverny

№ слайда 45 The Japanese Footbridge
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The Japanese Footbridge

№ слайда 46 The Garden at Giverny
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The Garden at Giverny

№ слайда 47 Monet's methods In 1877 a series of paintings at St-Lazare Station had Monet loo
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Monet's methods In 1877 a series of paintings at St-Lazare Station had Monet looking at smoke and steam and the way that they affected colour and visibility, being sometimes opaque and sometimes translucent. He was to further use this study in the painting of the effects of mist and rain on the landscape.The study of the effects of atmosphere were to evolve into a number of series of paintings in which Monet repeatedly painted the same subject in different lights, at different hours of the day, and through the changes of weather and season. This process began in the 1880s and continued until the end of his life in 1926. Helen Gardner writes: "Monet, with a scientific precision, has given us an unparalleled and unexcelled record of the passing of time as seen in the movement of light over identical forms."

№ слайда 48 Series of paintings La Gare Saint-Lazare, 1877
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Series of paintings La Gare Saint-Lazare, 1877

№ слайда 49 Arrival of the Normandy Train, Gare Saint-Lazare, 1877
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Arrival of the Normandy Train, Gare Saint-Lazare, 1877

№ слайда 50 The Cliffs at Etretat, 1885
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The Cliffs at Etretat, 1885

№ слайда 51 Sailboats behind the needle at Eretat, 1885
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Sailboats behind the needle at Eretat, 1885

№ слайда 52 Two paintings from a series of grainstacks
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Two paintings from a series of grainstacks

№ слайда 53 Grainstacks, end of day, Autumn
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Grainstacks, end of day, Autumn

№ слайда 54 Poplars (Autumn)
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Poplars (Autumn)

№ слайда 55 Poplars at the River Epte
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Poplars at the River Epte

№ слайда 56 The Seine Near Giverny
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The Seine Near Giverny

№ слайда 57 Morning on the Seine, 1898
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Morning on the Seine, 1898

№ слайда 58 Charing Cross Bridge
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Charing Cross Bridge

№ слайда 59 Charing Cross Bridge
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Charing Cross Bridge

№ слайда 60 London, Houses of Parliament. The Sun Shining through the Fog
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London, Houses of Parliament. The Sun Shining through the Fog

№ слайда 61 Two paintings from a series of The Houses of Parliament, London
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Two paintings from a series of The Houses of Parliament, London

№ слайда 62 Grand Canal, Venice
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Grand Canal, Venice

№ слайда 63 Grand Canal, Venice
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Grand Canal, Venice

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